The great Melocchi, teacher of Del Monaco, Corelli, and countless others. This is chiaroscuro, fully engaged singing. He teaches him how to properly "cover" ( I know some people hate that term) by going more towards OO in the passaggio while still trying to keep the integrity of the vowel and chest sound as much as possible. The OO and covering is pulling in proper falsetto muscle coordination into the sound - as well as the covering muscles (infrahyoids) - keeping the scuro and lengthening of the vocal folds.
VOICE LESSONS FOR BEGINNERS, the Maestro Canana teaching, the VOCALIZIO - "VERY BASIC NOTES AND VOCAL TRAINING TIPS AND TECHNIQUES" to reach high notes for a BARITONE, to Mr. ANDY THOMPSON that comes from Melbourne Australia to have personal and customized lessons to become an opera singer. Mr. ANDY THOMPSON was studying for Bass in Australia and the Maestro Canana discovers (after few lessons) that he has a nice DRAMATIC BARITONE VOICE and after two weeks LESSONS his voice and technique are a beautiful surprise because he's becoming a very good BARITONE. Congratulations to Andy, our new Baritone's student (today an official Member of the IL BEL CANTO ASSOCIATION) because he has the capabilities to understand and applied very fast the Maestro Canana lessons. HIGH NOTES VOICE LESSONS VOICE LESSONS by the Maestro MARIO CANANA in Italy, professional voice and vocal training techniques and tips to express better singing high notes for professional Sopranos and tenors of the aria and romanza of the operas from ITALIAN BEL CANTO. The Maestro Mario Cananà explain to the tenor'student Hiroki Tanaka his technique to sing in a perfect way, and how important it is to have a NATURAL HIGH NOTES anytime to sing arias and romanzas as vocal professional training ITALIAN LYRICAL MUSIC LESSONS for Sopranos (Soprani) and Tenors (tenori) Music vocal and voice exercises as training of music lessons in Italy. The vocal Lessons for Tenor and Soprano for lyrical singing and voice techniques of the Italian Bel Canto by The MAESTRO MARIO CANANA "The Italian Tenor Spinto" (music culture and voice lessons, in Italy) for lyrical VOICE, MELODRAMATIC opera and lyrical culture. The Maestro Canana explain, in this class, to the Soprano how important it's to execute voice and vocal singing exercises VOCALIZO for sopranos and tenors to reinforced voice and lyrical vocal studies. http://www.ilbelcanto.org/ The Maestro Canana and the "Associazione Il Bel Canto in Italy" offers lessons for beginners, Tenors, Baritono, Sopranos and Master Class and international Master Lyrical singing and Melodramatic culture and art conference LOOKING FOR PRIVATE LESSONS OR A CONFERENCE BY MAESTRO CANANA ? call in Italy: +39- 333- 6371 644 at http://www.italianbusinessguide.com/ THE ITALIAN OPERA - IL BEL CANTO The bel canto opera movement flourished in the early 19th century and is exemplified by the operas of Rossini, Bellini, Donizetti, Pacini, Mercadante and many others. Literally "beautiful singing", bel canto opera derives from the Italian stylistic singing school of the same name. Bel canto lines are typically florid and intricate, requiring supreme agility and pitch control. The bel canto era style was rapidly popularized by Giuseppe Verdi, beginning with his biblical opera Nabucco. Verdi's operas resonated with the growing spirit of Italian nationalism in the post-Napoleonic era, and he quickly became an icon of the patriotic movement (although his own politics were perhaps not quite so radical). In the early 1850s, Verdi produced his three most popular operas: Rigoletto, Il trovatore and La traviata. But he continued to develop his style, composing perhaps the greatest French Grand opera, Don Carlos, and ending his career with two Shakespeare-inspired works, Otello and Falstaff, which reveal how far Italian opera had grown in sophistication since the early 19th century. After Verdi, the sentimental "realistic" melodrama of verismo appeared in Italy. This was a style introduced by Pietro Mascagni's Cavalleria Rusticana and Ruggiero Leoncavallo's Pagliacci that came virtually to dominate the world's opera stages with such popular works as Giacomo Puccini's La Boheme, Tosca, and Madama Butterfly. Later Italian composers, such as Berio and Nono, have experimented with modernism IL BEL CANTO LIRICO DI ITALIA L'Associazione "Il Bel Canto" programma le proprie attività concertistiche in Italia e nel mondo. Offriamo un ricco repertorio di Arie con i nostri tenori, soprani, baritoni e coro, opere liriche come Aida, Il Trovatore, Nabucco, Traviata, Ernani di Giuseppe Verdi, Turandot, La Bohème, La Tosca, Madame Butterfly di Puccini, Il Barbiere di Siviglia e Mosè di Rossini, La Carmen di Bizet, ed altre opere liriche che definiscono l'arte e cultura lirica Melodrammatica in Italia e nel mondo sotto la direzione del MAESTRO CONCERTATORE MARIO CANANA LEZIONI PRIVATE? contattati email@example.com
DEEP VOICE BARITONE OF LOVE "KING LOVERR" SINGS HIS ROMANTIC SEXY LOVE SONG ABOUT WANTING TO BE MORE INTIMATE WITH.
Dario Doslic ♥ XIV. Marco Polo Festival, Korcula 2009 / Our Day Will Come (Original Song)
Dario Doslic ♥ Bozji Sin - Son of God (Composer: Branko Stark)
Don Roberts is a construction worker, only he doesn't build buildings, he build's throats. Singers of all stripes regularly attend his studio in Oneonta, NY, but rarely in person. Don teaches over the telephone; a bizarre and controversial approach, according to many in the singing world. Day after day, Don teaches voice to up-and-coming opera singers, pop singers and world-renowned cantors. But to enter this particular studio, pupils must embrace the psyche behind the training. Don will go to great, sometimes outrageous lengths to enforce the doctrine that voice teaching is a sacred, existential journey and not just a random seesaw of back and forth singing. Voice Teacher is a psychological profile of a man who has dedicated most of his adult life to facilitating the human voice. A crucial thread in this exploration is the component of Don's family-life and we are introduced to his wife and children. Ultimately, we are guided through the sometimes rough, yet exhilarating maze of Don Roberts by a diverse group of students; each of whom have gone through the proverbial cauldron. Don is obsessive, neurotic, at times harsh and always engaging. This feature-length documentary catapults you inside his hyperactive existence. "Voice Teacher" is currently being submitted to film festivals worldwide. Official Selection: Syracuse International Film Festival (2009) Email firstname.lastname@example.org for screening info.
The Whispered Ah should be part of learning the Alexander Technique - whether on a training course where people learn to teach the Technique or when someone is having private lessons. However, I've seen a lot of confusion around this simple vocal exercise - confusion which, in some cases, leads to people not wanting to do it at all. This is really a shame as the exercise is a very important one for anyone wishing to improve the quality of their speaking voice, the co-ordination of breath with voice and for singers. I've been using a simple approach to doing the Whispered Ah for some time now and would like to share it with a wider audience.
Holy is He, sung by Andy Woodard and Brooke Pullin. This was my last recital, and Brooke is my voice teacher special thanks to Sarah Woodard for videography.
Singing masterclass with Thomas Quasthoff from the Verber Festival Academy