The great Melocchi, teacher of Del Monaco, Corelli, and countless others. This is chiaroscuro, fully engaged singing. He teaches him how to properly "cover" ( I know some people hate that term) by going more towards OO in the passaggio while still trying to keep the integrity of the vowel and chest sound as much as possible. The OO and covering is pulling in proper falsetto muscle coordination into the sound - as well as the covering muscles (infrahyoids) - keeping the scuro and lengthening of the vocal folds.
click here http://www.singingsuccess.com/mastering-mix Advanced Voice and Singing Lessons - Mastering Mix Trailer Over a decade ago, Brett Manning released the revolutionary Singing Success program which has become the best selling vocal program of our time. Brett has continued to develop and perfect thousands of new and effective exercises that focus on the most difficult part of the voice, the mix. These exercises have been distilled and refined to create the most complete systematic vocal training program in the world, Mastering Mix. The Mix is the most elusive part of the voice. It creates a smooth transition between the chest voice (bottom) and the head voice (top) which enables singers to reach their full potential. Ninety percent of singers experience some kind of break-flip or disconnect between these two qualities. With the mix, you have the power of chest voice and the freedom of head voice - The same commercial tones used by greats like Keith Urban, Hayley Williams of Paramore, Take 6, and many more are unveiled. ORDER TODAY! http://www.singingsuccess.com/mastering-mix
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1.Paul Harkey from the Anchormen with some nice Ab1:s, song is "After awhile". 2.Finally I found some low Barry White! It shouldn´t be so hard though..here he talks/sings around G1/A1 and then sustains a G1 (BELIEVE) moves up to A1 and tries for a whispery D1! The song is Dark and loveley and is a nice duet between Barry and Isaac Hayes (who hits a few D2:s). 3.David lee Roth talksinging his way down to G1, song is Tight. 4.Eric Bennet with a passage sung around G1, song is "Just a little talk with Jesus". This clip was featured in the bass video of biglhot75. 5.Eric again, this time with a powerful G1, song is "When the Lord saved me". Also from the biglhot75 video. 6.Tim Riley hits a looooong G1 in the famous 4 octave spread ending together with Jay Parrack. A live version of When he comes I´ll fly away. 7.Same song and note but from this year! 8.JD Sumner with a nice sustained G1 from song One by one. 9.Aaron McCune with two nice G1:s from the biglhot75 video, song is "By Your grace, for Your glory" and "for the sake of my heart". 10.Allen Brantley from Accapella hits a close mike F#1 in the middle of the clip, I´m a bit unsure of the pitch though. 11.Barry again, this time with his lowest note ever, three F#1:s from song Low rider. 12.Cecil Stringer (left in picture) with a nice F1, from the same song (Beautiful Life) that I featured in my 5th video where Cecil bottomed out at a C1. 13.Tim with his lowest note ever! A F1 from song I´m saved. 14.JD Sumner with a low sung passage bottoming at a F1, song is Wayfaring Stranger. 15.Aaron McCune with his lowest note ever, an E1. Song is That old Alter live in 2003. 16.George Younce with a smoking E1. Song is "The love of the Lord", clip is from biglhot75´s bass video. 17.Eric Bennet with a strong E1 (this guy can do a C1!), song is "Terrible time down there", clip is from biglhot75´s bass video. 18.Paul Harkey with an Eb1 from Working on a building. Does he do it as good as Sterban? Almost. 19.Paul Kennamer (right in picture) with a good Eb1 from Lay it down, live version. 20.JD again, this time with the final part of One by One, very nice song. He sings G1 on KEEP your heart and on the last SKY. D1 on HEART, a shame that he hesitates though. Possibly even lower on the word draws NIGH in the middle. 21.JD with a live version of Way down with an Elvis imitator. I don´t think he nails the C1, rather a D1. 22.In the studio version he does not land on the C1 but rather slides in a whispery way down from Eb1 to B0/C1. 23.Another live version, this time I think he nails the double low C! 24.Youtuber Casey Moo with a C2 and a C1. I´m not totally convinced that it is non-fry. It sounds too easy and alas weak, but I could be wrong. Coming up next, the subcontra octave basses
"I'd like to thank dabeinman for all clips featuring George Younce" This is the 5th video in the collection! David Hester- Im Gonna Make It C2 Taking Back G1 Give it to the Lord B1 Chris West Im on the Battlefield G1 This Jordan A1 This Jordan A1 (again) I Got it Ab1 We Shall See Heaven Someday Ab1 Ted Atwood When i Get Carried Away- A rather weak C2 Eric Bennett I Love to Call I wanna say this one is an Eb1! Aaron Mccune If God be for Us Ab1 Ray Dean Reese Hes a Personal Savior A1 George Younce Ive Found a Hiding Place G1
Here's my first bass notes video! The highest note to be found in any of my bass videos will be the E2 (other than those notes included in slides down to notes E2 or lower), or the second E up from the bottom of the standard piano. Thanks to all who allowed me to use their video clips (credits will be in each clip to the person who allowed me to use the clip). Just to let everyone know, there is NO VOCAL FRY IN THIS VIDEO except for some in the very last clip (might be some mixed voice in one other). Friendly comments and questions are welcome (all unfriendly or degrading comments towards these singers or anybody commenting on the video will be deleted). Enjoy this video (and those to come in the future)! :) 1. Adam Lopez does a demonstration of his vocal range. He starts off with a D#2 and proceeds to go 6 octaves higher after that. 2. Josh Turner sings a few D2's in his song, Everything is fine. 3. Basso Profundo Giorgio Tadeo sings and sustains a very nice D2 with no close microphone! 4. Richard Sterban sings a C#2 in the song Jesus is coming soon. This is from their latest 2009 DVD release. 5. Tim Riley slides down to a sustained C2 at the end of Moving up to Gloryland. 6. TV celebrity (who I've heard had some opera training back in the day) Mike Rowe sings a C2 at the end of the Dirty Jobs theme song (I know if you watch the video it looks like Dave Barsky sings the low part at the end, but I read that Mike Rowe recorded all the voice parts himself, so it's really him singing the C2). 7. Now we leave the Great Octave and go into the Contra Octave, starting with a B1 by Josh Turner. The song is Firecracker. 8. Here's Richard Sterban with a very nice slide from A#2-A#1 from the song Where the soul never dies. 9. Aaron McCune, who recently left Gold City and will be missed, is heard here singing an A#1 at the end of Midnight Cry. 10. Here's Aaron again with a few quick but good A1's from the song Get up, Get Ready. 11. Joe Brown, former Bass singer from the Capstone Quartet, sings a few boomy A1's in the song I know what lies ahead. 12. Richard Sterban gets another low one during a very short low passage from I ain't never. He starts at an E2 and ends on an A1. 13. Larry Hooper, the well-known bass from the Lawrence Welk Show, sings an A1-B1-C#2-D2 at the end of Minnie the Mermaid. Very nice! 14. Tim Riley from Gold City hits a few A1's in another performance of Get up, Get Ready. 15. Here's Paul David Kennamer with a very boomy and powerful sustained G#1 at the end of It's almost over. 16. Josh Turner hits his lowest recorded note (so far) while singing King of the Road live with who I believe is Country legend Randy Travis. A very nice G1 at the beginning of the clip from Josh Turner is heard. 17. Aaron McCune sustains a G1 at the end of one of my favorite Gold City songs, For the sake of my heart, here heard being sung live. 18. This is a recent one. As a Gold City veteran, Tim Riley was called in to take Aaron's place after he left until they can find another bass. Always good to hear Tim Riley singing bass with them. Here, he sustains a powerful F#1 at the end of Under Control. New Tenor Chris Cooper is also heard here. 19. You don't think I would dedicate this video to JD Sumner and not have him in it, right? Here's JD with the Masters V in 1991, singing Just a little talk with Jesus. He slides down about 2 octaves at the end, bottoming out at an F1. 20. Here's JD again, this time with the Blackwood Brothers WAY back in the day. This is during the low part of Hide me rock of ages. JD gets all the way down to a sustained E1 here. 21. Paul David Kennamer hits a nice E1 and sustains it in the song Old Ship of Zion. Very nice E1! 22. JD is heard here singing a different version of Just a little talk with Jesus. He bottoms out at an E1 (might touch on D#1 at one point) and finishes the song off by quickly sliding down to a C2. 23. One more from JD. This time, he's with the Masters V from the same 1991 show as the first clip of him in this video. The song is I'm gonna keep on singing, at the end of which JD slides down to a D#1! Very nice! 24. Time for the last note of the Contra Octave! Mike Holcomb from the Inspirations Quartet sings his famous passage live in 1996 during the song Hide me rock of ages. The lowest note is a C1. It seems to be in mixed voice, though if you listen carefully when the rest of the quartet comes in he sounds like he either goes up a note or goes into full chest voice! If that second scenario is true (it sounds like it is, but I'm not entirely sure), this'll be one of few C1's sung in full voice! Excellent! Mike finishes off the song with a nice long sustained C2. 25. One last clip. Here's World Record Holder Tim Storms with the Rescue Quartet, singing an F0(!!!) before quickly sliding up to a B0. Notice the throaty sound and the reduced amount of tone during the F0 and B0...seems to be some vocal fry here.
Larry Hooper was one of the great bass singers of our time. He had a unique quality to his voice and never dove deeper than his voice would go. In other words, no vocal fry. I grew up watching Hoopie. Him and my dad were the first introduction to bass singing I had. So this goes out to Hoopie. We miss ya. Thanks for all the years of entertainment. And for all you young bass singers out there. Watch this and learn something about singing with vocal integrity. Stay true to your voice and quit frying the notes you wish you could hit.
Time for the subcontra octave and also to leave the world of pure singing! I´ll repeat some Paul Kennamer and Tim Storms here for comparison against youtuber 5Hz. 1.Tim storms humming/singing a C1 from song "amazin grace" live version with Rescue. 2.Tim diving down to at least C1, from the Tim Storms sings eigth hertz youtube video. I don´t think there actually was a 8 Hz in that video. Guiness book of world records perhaps holds the rights to it? 3.Tim touching a A0/Bb0 (bottom note on the piano!) in the beginning of this clip!! also from "amazing grace". 4.Paul Kennamer hitting first an Ab1 then frying two D1:s (unsure of the pitch here) and then ending on the lowest note in the clip, a B0 in non-fry. Song is Jesus will fix it. 5.Paul hitting a strong Ab1 and then a strong Gb1 and then ending on a Ab0, song is It´s almost over. 6.Youtuber 5Hz ending Have yourself a merry Christmas with a house shaking non-fry Ab0. Notice the crying from a very young person afterwards! Earlier in the song this guy is touching on a Bb4! All these clips are from the Bottom out clip. 7.The 5Hz guy again. This time he ends a song on a strong chesty Ab1-D1-Ab0 cadence and then (separate recording?) sings Eb1-Ab0 in a more dry and clean way (vocal fry?). 8.5Hz singing Walk that lonesome road on Bb1-Ab1-Gb1-Ab1-Ab1.Ab0 and then singing Walk that lone on Bb0-Ab0-F0/Gb0 and then he pausesThis is also done in the dry and clean way. If it is fry it sure sounds very powerful. The picture shows a zoomed display of the audio in windows movie maker. It is evident that the pps (see below) is decreasing. 9.Paul Kennamer with his now famous C0 to C1 slide on the last word, DISPLAYYYY. The slide is hard to hear but if one listens for the number of pulses per second (pps) it is easier. C0 is 16 Hz and C1 32 Hz and one noticeably hears that the pps is increasing. The picture shows a zoomed display of the audio in windows movie maker. Here one sees how the pps is increasing for Paul. In comparison a C0 with 4 harmonics and one single C0 (no harmonics). 10.And for all you out there who say that humans cannot hear 16 Hz, here is proof that we can! It is a C0 with a 4 harmonics according to the harmonic structure of an Oboe. I clearly hear it and it sounds like 16 pps. NB: The volume must be turned up way high and good speakers have to be used. 11.The C0 with no harmonics is more felt than heard though. 12.One actually also can hear a C-1 (8 Hz) if the harmonics are there. The picture is applicable for the C-2 next 13.And C-2 with 4 harmonics (4 Hz)! 14.And here 5Hz slides down to that quintuple low C! Actually he is down to ~3Hz at one time. It sounds like we´re inside his throat. Regardless if it is strong vocal fry or not, or some other technique, this is what Tim Storms lowest notes also sound like. I have not heard Tim´s Bb-2 but reliable sources tell me that this is how they sound like! Someone told me that Tim has recorded a 1 Hz note this year. 15.I leave you with the complete Walk that Lonesome Road. It begins with the C-2 slide, then some ad lib starting at Bb2, then the Bb1 and Bb0 phrase from clip 29 above. Then (at approx. 4:34) he switches to a very pulsating mode and continues down to Bb-1 and Bb-2 but I don´t hear any words no more. The pitch is very unstable also. The picture shows the whole clip in a frequency analysis with time on the x-axis and frequency on the y-axis. The slide is very clear and also its harmonics. The last picture starts and shows the 4:34 passage where one sees that the pps is very low but unstable. So here we have reached the very end of low noteswhere do we go now? PS. The dry and clean sounding low notes in this clip (including Kennamer´s C0) is very probably strong vocal fry. The notes sound more like a SLOWERING of the voice than a LOWERING. Normal chest voice low notes are produced by lowering the resonance down to the diaphragm while vocal fry happens in the throat and just consists of slowing up the produced sound DS New info: this guy hits several subcontraoctave notes! D1 and F0 in watch?v=gHP-DgGm3W0 G0 (or G-1?) in watch?v=KgQrlOIHm4I A0 in watch?v=B-vOaxzAIJE F#0 and C0 in watch?v=WR0igHH3VCQ
Not the first singer you´d think of but in these 3 clips david shows some very very deep vocals without resorting to vocal fry and also some short high notes (no falsetto). Clip 1 from "me wise magic" shows Low A:s (A2) and some double-low A:s (A1) and a short F#5, 2nd clip shows several C#2:s and some short G1:s (the sheet music says F#1!) and lastly the 3rd clip shows a F#5 towards the end (from the solo song "slamdunk"). Let the debate begin! NEW Info: After doing many bass videos I am now more familiar with the concept of "vocal fry" and Dave is guilty of that technique for the deepest notes in clip 1 and 2, he often slides downwards at the end of a word and those end notes are fry (i.e. they are not emanating from the chest but only from the throat). The lowest he goes without fry is very hard to say. In clip 1 he goes down to at least G2 in chest voice and in the 2nd clip he starts it on a chest B1 and then hits many C#2:s in chest. The last phrase (FOR YOUR INNER EAR) is very low (around G#1/A1) and sounds pretty chesty but whispery. If Dave can do these notes live I´d be more convinced. New new info: in watch?v=QbXPHiyE7uE (just like a gigolo pre-talk) he goes down to G1 a couple of times and I don´t think it´s growl.
Guinness Book Primetime Live lowest SINGING note (COMPASS SCALES NON INTERRUPTED) record holder, Singer/Actor Casey Moo quickly sings Low Ab and scale non vocal fry!
The Whispered Ah should be part of learning the Alexander Technique - whether on a training course where people learn to teach the Technique or when someone is having private lessons. However, I've seen a lot of confusion around this simple vocal exercise - confusion which, in some cases, leads to people not wanting to do it at all. This is really a shame as the exercise is a very important one for anyone wishing to improve the quality of their speaking voice, the co-ordination of breath with voice and for singers. I've been using a simple approach to doing the Whispered Ah for some time now and would like to share it with a wider audience.
Fast hi-hats. Now you can beatbox fast. Woo for you. I'll have a video with beats to practice when I do the next tutorials. Woulda done one this time but five vids at once would have been majorly overkill. How to make the sound: 1 - Say "tikka", then take away the "ih" and "ah" so you just get a "tk" sound 2 - Notice how you use the front of your tongue for the "t" and the back of your tongue for the "k". This is what allows you to make the tktk sound so fast 3 - Go tktktktk as fast or as slow as you want - sorted Updated on a tentative weekly schedule (I say tentative because let's face it, stuff goes wrong - I get ill, or my camera explodes, or my laptop transforms and leaves me) this series will teach you the ins and outs of beatboxing, as well as some ups and downs and even a few lefts and rights. Please feel free to hit the subscribe button, or leave a comment mentioning my awesomeness. If you would like help with the sounds or feedback on your beats, post a video response showing the sound as you are doing it, and I will be happy to give feedback. Follow me on Twitter - http://www.twitter.com/fattonybbx Become a fan on Facebook - http://www.facebook.com/pages/Fat-Tony/118561857365 If you have any questions you'd like answered, please feel free to email me: Fat_Tony@HUMANBEATBOX.COM Peace, love, and masala -FT
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This video was filmed as part of an application to assist Simon Sundermann to continue his ambition - to teach singing....Has a very unique ability and gets results!!!! This was filmed mid 2006 in London, UK. Directed, filmed and edited by Derek Cox Opera by day teacher by night!
Bass Robert Briggs sings Colline's aria "Vecchia Zimarra" from Puccini's "La boheme" in a Masterclass of tenor Luciano Pavarotti at the Juilliard School of Music with pianist John Wustman.