02. High Fry Screaming. Part 2 of my Fry and False Cord Screaming tutorial ( : Here I'm showing how Fry Screaming works and how to start, so this is a must watch before trying Mids and Lows. Learn to scream like Bullet For My Valentine, Escape The Fate, Blessthefall, From First to Last, August Burns Red, and all of those bands :D Diaphragm pictures from here: http://www.nlm.nih.gov/ and here: http://www.arthursclipart.org/ --------------------------------------------------------- 02. Fry Screaming Alto. Parte #02 de mi tutorial de Fry y False Cord Screaming ( : Acá les muestro cómo funciona el Fry Screaming y cómo empezar, así que necesitas ver este video antes de intentar hacer Medios y Bajos. Aprende a gritar como Bullet For My Valentine, Escape The Fate, Blessthefall, From First to Last, August Burns Red, y muchos más! Imágenes del Diafragma sacadas de: http://www.nlm.nih.gov/ y: http://www.arthursclipart.org/
Bullet For My Valentine Escape The Fate Blessthefall From First to Last August Burns Red Devil Wears Prada How Scream Fry High Mid Low False Cord Melissa Cross Screamo Post Hardcore Grudge Diaphragm Vocal Cords Metalcore Pig Squeals Gutteral Exhale Inhale Bree Growl Como Gritar Español Subtitulos Spanish Tutorial Hacer Zen Of Screaming
in this video i just show a different way of getting to the scream with different ways of how to breathe and a little more on how to get your higher and lower screams
Recording Studio tutorials. Easy to learn, understand and use. Made for guitar players, songwriters and vocalists to make better recordings of their songs. Learn how to select the best takes, correct pitch and get a better result for your vocal performance. Make sure to watch all three parts. Presented by CustomGuitarVideo.com
click here http://www.singingsuccessonline.com/ad/youtube_sso_article/ Vocal Lessons - Morning Voice Part 1 - Marty Sampson Date: 02.24.10 Coach: Brett Manning Artist: Marty Sampson Brett's in the studio with special guest, Marty Sampson. Marty has come all the way from Australia to improve his voice and become well rounded as an artist. In part one of this lesson, Brett deals with a struggle common to most singers, morning voice. He gives some exercises to help warm up the voice throughout the day, and get to your full voice as fast as possible. Be sure and check out Marty's website http://martysampson.net/ . Approximate Length: 24 minutes 22 seconds http://www.singingsuccessonline.com/ad/youtube_sso_article/
Here's another metal singer with a huge range. His lower register is pretty freaky, and he uses a lot of fry, but mainly for effect. Didn't have much material for this one sadly. 1: A solid F#2 from Notre Dame song Ulv. 2: A nice C2 from the studio Notre Dame version of Dusk. A rare no-fry line! 3: Some Bb1s from the fry-ish sounding first verse of Snowy's acoustic Dusk, but I think the second one at least is full. 4: And now for three clips of the same song! E5 from the studio version of Therion's Manowar cover Thor. 5: A great live C#5-E5-G#5 climb! 6: Here Snowy starts on Eb5, then slides up to F#5 and finally a trilly Bb5! Thanks to jowox, Spydrfish, Tarantinomaniac and axisundone.
"I'd like to thank dabeinman for all clips featuring George Younce" This is the 5th video in the collection! David Hester- Im Gonna Make It C2 Taking Back G1 Give it to the Lord B1 Chris West Im on the Battlefield G1 This Jordan A1 This Jordan A1 (again) I Got it Ab1 We Shall See Heaven Someday Ab1 Ted Atwood When i Get Carried Away- A rather weak C2 Eric Bennett I Love to Call I wanna say this one is an Eb1! Aaron Mccune If God be for Us Ab1 Ray Dean Reese Hes a Personal Savior A1 George Younce Ive Found a Hiding Place G1
Guinness Book Primetime Live lowest SINGING note (COMPASS SCALES NON INTERRUPTED) record holder, Singer/Actor Casey Moo demonstrates five octaves live 02-20-09- -hits Bb5(High Bb) at 3:19 and Bb1(non vocal fry).
I've been seeing so many vocal lessons and i just cant get over how 99% of these guys cant even do what they are trying to show you how to do. I dont practice screams much anymore but even so i think you should learn something.
Just a demonstration of my lowest notes. I can't usually go this low but for some reason after warming up I was able to go to C1. It IS vocal fry but still an audible low note. C1-C6 = 5 octave range. Kevin Richards is the author of "Breaking the Chains - The Ultimate Rock Singing Program" and teaches in person Manhattan in NYC. For more information about studying in person or via online lessons: please visit www.rockthestagenyc.com
Stevie Nicks of Fleetwood Mac has a recorded vocal range of F#2-E5, two octaves and a minor seventh. She is a contralto but didn't concentrate on her lower register much until her voice started to decline rangewise around the early 90's. She has a very low speaking voice usually around B2-C3, which sometimes drops to some very low baritone notes. Her absolute highest is a G#6 in a laugh from a video here on YouTube! Lower Register #1: A3s from Freedom, a Fleetwood Mac song from Behind The Mask. #2: G#3s from solo song Ooh My Love. #3: G3s from Fleetwood Mac song Sara. #4: F#3s from Violet and Blue. #5: Strong F3s from one of my favourite Mac songs, Gypsy. #6: Time to get low! Very strong E3s from solo song Trouble In Shangri-La... #7: Eb3 from the song Street Angel. #8: A low line from Every Day, with a short B2 ending on a strong C#3. #9: A B2 from Goodbye Baby, on the latest Fleetwood Mac album Say You Will. #10: This low harmony buried right at the end of Destiny Rules, also from Say You Will, ends on Bb2! Higher Register #1: A strong G4 ending on an A4 from Beauty and the Beast. Lovely song! #2: G#4 from Sheryl Crow duet, If You Ever Did Believe, from the Practical Magic soundtrack. #3: A nice sustained A4 from Fall From Grace, on the Trouble In Shangri-la album. #4: Great Bb4 from Stevie's version of the Blues standard At Last. #5: Fantastic B4 from Buckingham/Nicks song Frozen Love! #6: I had to include this one, a head voice C5 from you-know-what! #7: Lovely full-sounding C5s from Rhiannon. #8: A C#5 from Seven Wonders. #9: Nice D5 from Nothing Ever Changes! #10: Stevie's highest full voice note, a glissando up to Eb5 from Wild Heart! #11: An E5 from Sisters of the Moon, but I think this is Christine McVie. At 9:05 of this video watch?v=SNgXVmxj52A there is a short Stevie E5. Stevie speaks her way down to Gb2 in full voice in this interview, and down to D2 with vocal fry watch?v=g3M21qrlFxI
If there's anything else you'd like me to cover, let me know so I know what to put in my next video. Comment, rate, subscribe.
Time for the subcontra octave and also to leave the world of pure singing! I´ll repeat some Paul Kennamer and Tim Storms here for comparison against youtuber 5Hz. 1.Tim storms humming/singing a C1 from song "amazin grace" live version with Rescue. 2.Tim diving down to at least C1, from the Tim Storms sings eigth hertz youtube video. I don´t think there actually was a 8 Hz in that video. Guiness book of world records perhaps holds the rights to it? 3.Tim touching a A0/Bb0 (bottom note on the piano!) in the beginning of this clip!! also from "amazing grace". 4.Paul Kennamer hitting first an Ab1 then frying two D1:s (unsure of the pitch here) and then ending on the lowest note in the clip, a B0 in non-fry. Song is Jesus will fix it. 5.Paul hitting a strong Ab1 and then a strong Gb1 and then ending on a Ab0, song is It´s almost over. 6.Youtuber 5Hz ending Have yourself a merry Christmas with a house shaking non-fry Ab0. Notice the crying from a very young person afterwards! Earlier in the song this guy is touching on a Bb4! All these clips are from the Bottom out clip. 7.The 5Hz guy again. This time he ends a song on a strong chesty Ab1-D1-Ab0 cadence and then (separate recording?) sings Eb1-Ab0 in a more dry and clean way (vocal fry?). 8.5Hz singing Walk that lonesome road on Bb1-Ab1-Gb1-Ab1-Ab1.Ab0 and then singing Walk that lone on Bb0-Ab0-F0/Gb0 and then he pausesThis is also done in the dry and clean way. If it is fry it sure sounds very powerful. The picture shows a zoomed display of the audio in windows movie maker. It is evident that the pps (see below) is decreasing. 9.Paul Kennamer with his now famous C0 to C1 slide on the last word, DISPLAYYYY. The slide is hard to hear but if one listens for the number of pulses per second (pps) it is easier. C0 is 16 Hz and C1 32 Hz and one noticeably hears that the pps is increasing. The picture shows a zoomed display of the audio in windows movie maker. Here one sees how the pps is increasing for Paul. In comparison a C0 with 4 harmonics and one single C0 (no harmonics). 10.And for all you out there who say that humans cannot hear 16 Hz, here is proof that we can! It is a C0 with a 4 harmonics according to the harmonic structure of an Oboe. I clearly hear it and it sounds like 16 pps. NB: The volume must be turned up way high and good speakers have to be used. 11.The C0 with no harmonics is more felt than heard though. 12.One actually also can hear a C-1 (8 Hz) if the harmonics are there. The picture is applicable for the C-2 next 13.And C-2 with 4 harmonics (4 Hz)! 14.And here 5Hz slides down to that quintuple low C! Actually he is down to ~3Hz at one time. It sounds like we´re inside his throat. Regardless if it is strong vocal fry or not, or some other technique, this is what Tim Storms lowest notes also sound like. I have not heard Tim´s Bb-2 but reliable sources tell me that this is how they sound like! Someone told me that Tim has recorded a 1 Hz note this year. 15.I leave you with the complete Walk that Lonesome Road. It begins with the C-2 slide, then some ad lib starting at Bb2, then the Bb1 and Bb0 phrase from clip 29 above. Then (at approx. 4:34) he switches to a very pulsating mode and continues down to Bb-1 and Bb-2 but I don´t hear any words no more. The pitch is very unstable also. The picture shows the whole clip in a frequency analysis with time on the x-axis and frequency on the y-axis. The slide is very clear and also its harmonics. The last picture starts and shows the 4:34 passage where one sees that the pps is very low but unstable. So here we have reached the very end of low noteswhere do we go now? PS. The dry and clean sounding low notes in this clip (including Kennamer´s C0) is very probably strong vocal fry. The notes sound more like a SLOWERING of the voice than a LOWERING. Normal chest voice low notes are produced by lowering the resonance down to the diaphragm while vocal fry happens in the throat and just consists of slowing up the produced sound DS New info: this guy hits several subcontraoctave notes! D1 and F0 in watch?v=gHP-DgGm3W0 G0 (or G-1?) in watch?v=KgQrlOIHm4I A0 in watch?v=B-vOaxzAIJE F#0 and C0 in watch?v=WR0igHH3VCQ
hey guys, this is a video that answers some FAQs from my other videos. sorry for the random cuts in the video, it was too long and i had to take out some minor things.
This video will show you how to make your scream louder and tips to make your scream HIT with more bang for your buck. Check out my band @ www.myspace.com/alliaskrock
http://www.singingsuccessonline.com/ad/youtube_sso_article Title: A MEASURE OF CONNECTION TO RESTORE THE VOICE Date: 10.29.2008 Coach: Brett Manning Artist: Brian Frank & Casey Phanuef Tags: brett manning, a hero's fate, rock singer, rasp, vocal therapy, vocal fry, restore voice, head voice, mix Description: Directed by: Jeremy Spencer In this update Brett sits down with Brian Frank and Casey Phanuef from the punk rock band A Heros Fate. Theyve both noticed that the way have been singing is starting to take a toll on their voices. Understanding the style of music they perform, Brett works on improving their vocal technique to relieve the strain without changing their style. He talks about how you should be able to sing heavy and dirty, then go back to light and clean whenever you want. This lesson deals with singing with proper technique so you dont harm your voice. It also has some great tips on hitting high notes with ease, and repairing the voice after abuse. If you sing rock or any other loud styles, youve gotta see this one! Approximate Length: 48 minutes 51 seconds Quality: 640x360 759 kbps http://www.singingsuccessonline.com/ad/youtube_sso_article
so i've been screaming for a long time now. but just growls... i decided i'll go ahead and try to learn vocal fry screams just for the hell of it ok, i don't think i've bothered with trying to learn vocal fry screams since i recorded this video... and i think i had the webcam too close or something... since it started distorting like hell... but i can get the screams high also: i refuse to do inhales
FIRST SCREAM - USING M.CROSS VOCAL FRY. SECOND SCREAM - USING MY EXHALE just a quick video showing the difference between the MC fry and my exhale scream. I've been told many bands use MC's scream, that I simply have no perfected her type of scream. So if any of you have videos where you use her scream please send them to me and if you can explain it better that'd be awesome.
I thought id post my contribution to this recent "how to scream" style videos. This is a small technique im not too good at, that i call the Power Fry that could be useful for ur heavy rock repetoiré
A shorter video this time, for Lindsey Buckingham also of Fleetwood Mac. His range in full voice is approximately F2-D5, extending down to D2 and up to B5. An amazing singer, songwriter, and guitarist, Lindsey sings tenor high notes very comfortably. Second octave notes are rare but he does sing them at times, mostly to contrast with Christine McVie. He tends to harmonise with Stevie Nicks. He is also fond of studio trickery, as heard on Big Love and Family Man, so I'm a bit unsure of some of these notes! 1. C#3s from Fleetwood Mac song Never Going Back Again. 2. The chorus to Fleetwood Mac's Isn't It Midnight, lines sung on A2. Very near the bottom of his range. 3. Solo song Go Insane, there are E2s here. Studio trick or vocal fry! 4. D2 from Fleetwood Mac song Tusk. Vocal fry though! 5. Singing up to A4, classic chorus of Big Love. 6. Lindsey's nice backing vocal here also goes up to A4. 7. A B4 followed by a great 17-second A4 from Tango In The Night! I included the whole chorus. This song has never been performed live unfortunately. 8. Harmony going up to a strong B4. Song is of course, The Chain. 9. D5s from Tusk, sounds like falsetto. 10. Full D5 from Come, could be a studio trick... 11. He sings an A4 instead live. 12. Screechy falsetto A5s from The Chain Mirage tour video! 13. And finally, a quick glissando up to a falsetto B5 from Tusk Mirage tour video. Lindsey speaks down to F#2 here /watch?v=uIBX1SxULR8&feature=related
The vocal range of Leona "The X-Factor" Lewis I enjoyed doing this. This girl (Like Beyoncé) Must have 4 Octaves. Her voice is too good not to I'd say her vocal range is C3-C#7. -Low/Vocal Fry Register: D3, Eb3, E3, F3, F#3 & G3 -Upper Chest/Modal Register: C5, C#5, D5, Eb5, E5, F5, F#5, G5 & G#5 -Head Voice/Falsetto Register: A5, Bb5, B5, C6, C#6, D6 & Eb6 -Super Head Voice/Whistle Register: F#6 Leona Lewis' Stats: -Low/Vocal Fry Register: D3-G3 -Upper Chest/Modal Register: C5-G#5 -Head Voice/Falsetto Register: A5-Eb6 -Super Head Voice/Whistle Register: F#6 -Voice Type: Lyric Coloratura Soprano -Vocal Range: 3 Octaves & 2 Notes - D3-F#6 Leona Lewis - Lowest Note (Studio): D3 Lowest Note (Live): D3 Highest Note (Studio): F#6 Highest Note (Live): Eb6 Highest Exclamation: Unknown Vocal Type: Lyric Coloratura Soprano Vocal Range: 3 Octaves & 2 Notes (D3-F#6) Leona Lewis Vocal Range - Studio: D3-F#6 (2000-2009) Spirit X Factor Echo Happy Bleeding Love Better In Time I Got You Naked Forgive Me I Will Be Run A Moment Like This Stop Crying Your Heart Out Best Kept Secret Twilight Loving You
The vocal range for Rihanna "The Rockstar" Fenty I think she's a ok singer not the best but I guess that's what makes her unique She started off REALLY bad but over the years she's gotten WAY better. I suggest you get her new album "Rated R" It's amazing and her vocals are fantastic on that album. (She really explores her lower register on that album.) -Low/Vocal Fry Register: A2, Bb2, B2, C3, C#3, D3, Eb3 & E3 -Upper Chest/Belting Register: C5, C#5, D5, Eb5, E5, F5, F#5 & G5 -Head Voice/Falsetto Register: G#5, A5, Bb5 & C6 -Super Head Voice/Whistle Register: None Rihanna's Stats: -Low/Vocal Fry Register: A2-E3 -Upper Chest/Belting Register: C5-G5 -Head Voice/Falsetto Register: G#5-C6 -Super Head Voice/Whistle Register: None -Voice Type: Light Lyric Alto -Vocal Range: 3 Octaves 1 Note & A Semitone - A2-C6 Rihanna - Lowest Note (Studio): A2 Lowest Note (Live): C3 Highest Note (Studio): C6 Highest Note (Live): C6 Highest Exclamation: C#6 Vocal Type: Light Lyric Alto Vocal Range: 3 Octaves & 2 Notes (A2-C#6)
Here is the vocal range of Alexandra "The Upcoming Diva" Burke I love her and I don't see why people hate her but I'm very sure she'll 'Overcome' the haters (bad pun lol) Well EVERYBODY ENJOY!!! -Low/Vocal Fry Register: Eb3, F3 & G3 -Upper Chest/Modal Register: B4, C5, C#5, D5, Eb5, E5, F5, F#5 & G5 -Head Voice/Falsetto Register: G5, A5, Bb5 & C6 -Super Head Voice/Whistle Register: None Alexandra Burke's Stats: -Low/Vocal Fry Register: Eb3-G3 -Upper Chest/Modal Register: C5-G5 -Head Voice/Falsetto Register: G5-C6 -Super Head Voice/Whistle Register: None -Voice Type: Full Lyric Contralto -Vocal Range: 2 Octaves 4 Notes & A Semitone - Eb3-C6 Alexandra Burke - Lowest Note (Studio): Eb3 Lowest Note (Live): Eb3 ('The Silence" Live) Highest Note (Studio): C6 Highest Note (Live): Bb5 Highest Exclamation: C#6 Vocal Type: Full Lyric Contralto Vocal Range: 2 Octaves 4 Notes & A Semitone (Eb3-C6) Alexandra Burke Vocal Range - Studio: Eb3-C6 Overcome Bad Boys Broken Heels The Silence Featuring Flo Rida Beyonce X-Factor Winner 2008
Not the first singer you´d think of but in these 3 clips david shows some very very deep vocals without resorting to vocal fry and also some short high notes (no falsetto). Clip 1 from "me wise magic" shows Low A:s (A2) and some double-low A:s (A1) and a short F#5, 2nd clip shows several C#2:s and some short G1:s (the sheet music says F#1!) and lastly the 3rd clip shows a F#5 towards the end (from the solo song "slamdunk"). Let the debate begin! NEW Info: After doing many bass videos I am now more familiar with the concept of "vocal fry" and Dave is guilty of that technique for the deepest notes in clip 1 and 2, he often slides downwards at the end of a word and those end notes are fry (i.e. they are not emanating from the chest but only from the throat). The lowest he goes without fry is very hard to say. In clip 1 he goes down to at least G2 in chest voice and in the 2nd clip he starts it on a chest B1 and then hits many C#2:s in chest. The last phrase (FOR YOUR INNER EAR) is very low (around G#1/A1) and sounds pretty chesty but whispery. If Dave can do these notes live I´d be more convinced. New new info: in watch?v=QbXPHiyE7uE (just like a gigolo pre-talk) he goes down to G1 a couple of times and I don´t think it´s growl.
Alright, so this is my second attempt at making a vocal fry example/tutorial video, this time without an amplifier. I tried to go a little more into detail with how to do the scream itself, if anyone still feels I'm not going in-depth enough, I can keep trying to come up with better ways to explain how to do what I do. Maybe next time I'll get an amplifier up here so I can do both screams with and without a mic. Update: Until I record my latest video, these are how my vo sound now. Music is from Lane Chaplin from sevenstring.org, vocals are mine. Until then, below are how my vox sound now. Music is from Lane Chaplin from sevenstring.org, vox are mine. http://www.soundclick.com/bands/defau...
(plz read) first of all, this is all EXHALING VOCAL FRY. this is a realllly old video. ill have a better one up soon. it was originally for a school project, so its reallly informative. more info than most of u care about lol. most of the shit i talk about is from Melissa Cross. i just sum it up in a less "beat around the bush" fashion. let me know if u have any questions or ideas of what i should expand on more in future vids. RATE MY VID PLZ. and subscribe if u want. ill have more/better vids up soon.
Ian Castle from http://www.aussievocalcoach.com presents a quick singing lesson on how to sing vocal fry, and how it can be used to shed weight from the voice. Vocal exercises included.
***EDIT: This video has for some reason been cut off at 47 seconds and I'll be attempting to upload the full version again very soon. Youtube is gay...or my pc...or both.*** This is the vocal fry video I promised everyone ages ago, sorry it took so long =/ It is SO hot in my room at the moment, so sorry if I forgot anything or wasn't too clear. I also had both windows open and was quite close to the camera/mic so I'm not sure how clear it's gonna be. I hope this video helps, and as usual if you have any questions or comments, lemme know. Peace X
By popular request I now try to discern between these two methods of achieving low notes WITHOUT using the normal full voice technique (that technique can be found in my bass videos). 1. Elvis Presley uses vocal fry at the end of this clip. The sound is produced from the throat only and hence it is weak by nature but a good microphone can of course amplify it so it can almost sound like a full voice note. The song is "Hurt" which features a splendid A4 by elvis but live he often took it up to B4. 2. Joe Brinkley from Promised Land Quartet goes down to Eb1 but that last note is a good example of vocal fry. The Ab1 before and after seems not to be fry though. from song "When I make it". 3. The vocalist growling in the 3rd clip is Henri Villberg from the Finnish band Rapture. The song is "Nameless". This technique uses the chest but the vocal chords have been too much pressurised (the sound is distorted) and this will cause coughing after a few seconds for the untrained growler. well trained growling does not seem to be damaging to the voice but I myself try to avoid using this technique too much. I´ve noticed that the chords adapt to this strain with time though. The picture is american wrestler "The Undertaker" whose apparition fits this singing style I think. 4. Eric Adams from Manowar singing in a less strained growling style. This adds grit and "warriorness" to the singing. Song is "Loki". Frying is all about SLOWERING the sound while normal chest voice is all about LOWERING the sound as low down in the chest as possible.
Guinness Book Primetime Live lowest SINGING note (COMPASS SCALES NON INTERRUPTED) record holder, Singer/Actor Casey Moo sings the last C on the piano!
Guinness Book Primetime Live lowest SINGING note (COMPASS SCALES NON INTERRUPTED) record holder, Singer/Actor Casey Moo quickly sings Low Ab and scale non vocal fry!
I've listened to and followed 'how to sing' programs such as: Singing Success, The Zen of Screaming 1 & 2, + some other singing programs. I've also looked up a trillion videos on how to sing on the internet, and have read some books on singing and read information on how to sing on the internet. So I've put all of my hard work and my own creativity into this video. I've spent a over 5 years of non-stop brain cramming figuring out all of this stuff, and I'm giving it away for free, so I hope you enjoy this information and put it to good use. Remember to get your throat checked out every 3 weeks by a doctor. If your throat needs some healing time, make sure to get a piece of paper and pencil to write down everything instead of talking and get proper rest and nutrition.
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I don't like the Abra scratch but it seemed that every other message I received was requesting a tutorial for one. I really don't like the scratch at all. I don't like how it sounds, I don't like that everybody thinks it's the greatest thing since sliced bread, I don't like anything about it. I didn't want to do an Abra scratch tutorial. So I didn't. This is my girlfriend, the incredibly talented LuckeyMonkey. It's her first beatbox tutorial as well, and I may well ask her to do some more in the future. Check her out at http://www.youtube.com/luckeymonkey - subscribe, check her videos, etc. The Abra scratch is also commonly called the crab scratch, finger scratch, and transformation scratch. To make the sound: 1 - Make a kissy face 2 - Put your finger against your lip (or, indeed, any part of your hand / arm / foot) 3 - Inhale whilst breathing words like "too" or "tooka" 4 - Use uvular oscillation and clickrolls to add rolls to the scratch 5 - Put into a beat 6 - Note that there are a massive variety of ways you can do this sound. The finger and thumb method described is the most common when it comes to putting the sound into a beat because it's possible to do it whilst holdinga microphone. Hope you enjoy the video, more guest videos may well come in the future. Updated on a tentative weekly schedule (I say tentative because let's face it, stuff goes wrong - I get ill, or my camera explodes, or my laptop transforms and leaves me) this series will teach you the ins and outs of beatboxing, as well as some ups and downs and even a few lefts and rights. Please feel free to hit the subscribe button, or leave a comment mentioning my awesomeness. If you would like help with the sounds or feedback on your beats, post a video response showing the sound as you are doing it, and I will be happy to give feedback. Become a fan on Facebook for regular updates - http://www.facebook.com/pages/Fat-Tony/118561857365 Follow me on Twitter - http://www.twitter.com/fattonybbx If you have any questions you'd like answered, email me: Fat_Tony@HUMANBEATBOX.COM Peace, love, and guest stars -FT
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Vocal warm up exercise scales using guitar. Across one and a half octaves. Go through this exercise using humming, tongue trills, lip rolls, vowel sounds etc. Tabs, exercises, vocal warm up techniques and routines can be found in the vocal section of my site. http://www.streetmusician.co.uk
Welcome to www.singing-high.com your complete resource for all of the latest advanced singing exercises that are FREE! If your voice is troubled then come here for all of your vocal needs.
Vocal warm up exercise scales using guitar. Across one and a half octaves and 5 strings. Go through this exercise using humming, tongue trills, lip rolls, vowel sounds etc. Tabs, exercises, vocal warm up techniques and routines can be found in the vocal section of my site. http://www.streetmusician.co.uk
Preview of the full video lesson available at http://www.ilearntoplay.com Warming up in the correct way will help to protect your voice. In this lesson Jo explains why warm-ups are so important introduces some of her favorite vocal warm-ups, focusing on breathing, sirening, lip rolls and humming. Many of these exercises can be done anywhere - in the shower, car or before a performance.
www.singg.tv - After reading the title here, you were probably imagining a lovely boat ride in the beautiful ocean, with the sun on your face and the wind at your back. But as you have probably guessed, that is not what we are going to do for this singing tip! No, even better than that, we are going to practice our lip rolls!!! What fun!! lol
Video for all you guitarists and vocalists who need to warm up those fingers and vocals at the same time. Vocal warm ups are a pain in the arse when you have a three hour guitar and singing session to get through, so here's a good way of doing both at once. Hum, lip roll/trill and vowel your way through this Major scale exercise. Try Vocal Warm Up 3 for a greater challenge. More exercises, tabs, pdf's midi's etc in the vocal section of my site. http://www.streetmusician.co.uk
Los Angeles Vocal Empowerment Coach Dot Todman provides Vocal Advice for American Idol Contestants. Visit http://www.dotsvoicestudios.com for more reviews.
Los Angeles Vocal Coach Dot Todman shares vocal tips on how to hit high notes, using American Idol's Adam Lambert as an example
This video provides an explanation of some reasons why your voice may be lost. Here are some links to various voice-related web pages: Voice samples - various types of vocal maladies from laryngitis to spasmodic dysphonia, plus photos of the vocal apparatus: http://www.entusa.com/larynx_videos.htm Voice after throat cancer: Listen to Reena. She's 29, began smoking at 13, developed cancer at 19 and had her voice box removed at 21. She speaks with an artificial larynx. Go to http://www.realityunfiltered.com/TRUtv.aspx Listen to Terri. She was a cheerleader who took up smoking. She eventually developed a throat cancer and underwent a laryngectomy. She now has a voice prosthesis which enables her to speak with some effort. Go to http://www.healthwellnc.com/trustories/default.htm
Dr Kevin Soh describes vocal cord and larynx surgery for hoarse voice. How microdebrider techniques can be used for voice box surgery. This is also a tribute to Michael Jackson, and to make the world a better place.